Steph Richards

A change from earlier sessions by Alberta-born, Brooklyn-based Steph Richards which detailed the stretched timbres of the trumpet in solo, duo or group settings, Power Vibe could be termed Richards’ Jazz record. That’s because the six tunes that make up this striking disc easily slide within the expanding borders of contemporary Jazz. The title track is even dedicated to Wayne Shorter.

Perhaps it’s the experience of drummer Gerald Cleaver, featured on five tracks, whose extensive experience includes work with numerous players from straight improv to FreeBop. Max Jaffee who drums on the final live track is also a newbie. But considering he contributes sensory electronics to the other tunes it may not him. Pianist Joshua White and bassist Stomu Takeishi have also worked with the trumpeter before.

“Power Vibe” may start with a snatch of radio static and include electronic sizzles, but it’s built around a brassy exposition whose elongated portamento pops intersect with keyboard strums and drum pitter patter. As the exposition speeds up so does the intensity of Richards’ playing, seconded by an electric bass slides, drum rattles and White’s measured touch.

Some of Richards’ playing encompasses muted grace notes, shaded puffs and brief half-valve emphasis. But in contrast “Reculez” is built around a three-note sting that repeats rondo-like throughout the piece. Related to the stated concept idea of redirecting the structure through musical cues, it  gives Richards a chance to ascend from inner horn exploration and mid-range tongue darting to emphasized triplets, played presto, while the others remain andante. White’s sympatico chording is equally responsive when curlicue elaborations match shaded brass flutters or when keyboard pumps toughen to follow bugling high notes. Takeishi’s acoustic pacing is supple and un-effacing, as are Cleaver’s clever ruffs and jolts.“Supersense”, the live and longest track is notable for the trumpeter’s open-horn work, which is more vocalized than elsewhere. Jaffe’s drumming is more upfront. But that fits alongside bass guitar vibrating stops and busy piano clanks.

Power Vibe chronicles another step in Richards’ evolving art. But like the other sessions it was recorded a few years back. You wonder what sorts of sounds is the trumpeter – and by extension her associates – is producing now.

–Ken Waxman

Track Listing: 1. Prey 2. Power Vibe (for Wayne Shorter) 3. October to July (for Dorian) 4. Moutons 5. Reculez 6. Supersense (live in Bolzano)*

Personnel: Steph Richards (trumpet and flugelhorn); Joshua White (piano); Stomu Takeishi (bass and electric bass guitars); Gerald Cleaver (drums [tracks 1-5]; Max Jaffee (sensory electronics [tracks 1-5]; drums*)